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1331199
registered interest false more like this
date less than 2021-06-09more like thismore than 2021-06-09
answering body
Department for Digital, Culture, Media and Sport more like this
answering dept id 10 more like this
answering dept short name Digital, Culture, Media and Sport more like this
answering dept sort name Digital, Culture, Media and Sport more like this
hansard heading Hate Crime: Females more like this
house id 1 more like this
legislature
25259
pref label House of Commons more like this
question text To ask the Secretary of State for Digital, Culture, Media and Sport, what steps his Department is taking to tackle online misogyny. more like this
tabling member constituency Strangford more like this
tabling member printed
Jim Shannon more like this
uin 13064 more like this
answer
answer
is ministerial correction false more like this
date of answer less than 2021-06-15more like thismore than 2021-06-15
answer text <p>The government is committed to tackling misogyny, homophobia, biphobia and transphobia, including the spread of such content online. On 12 May 2021, we published the draft Online Safety Bill, which sets out new expectations on companies to keep their users safe online. Under a new legal duty of care, in-scope companies, including social media, will need to tackle misogynistic, homophobic, biphobic and transphobic content and activity that is illegal, if it is on their services.</p><p>In addition, companies with the largest audiences and with high-risk features will need to assess the risk to adults of legal but harmful content on their services. They must also set clear terms and conditions stating what legal but harmful material they accept (and do not accept) on their service. Companies will have to do this for both priority harms which the government will set out in secondary legislation and for any emerging harms they identify in their risk assessments.</p><p>These duties will apply to misogynistic, homophobic, biphobic and transphobic hate speech, which do not meet the threshold of a criminal offence. Companies will need to enforce their terms and conditions consistently and transparently, and could face enforcement action if they do not. All companies in scope will be required to have effective and accessible user reporting and redress mechanisms.</p><p> </p>
answering member constituency Gosport more like this
answering member printed Caroline Dinenage more like this
grouped question UIN 13177 more like this
question first answered
less than 2021-06-15T15:24:35.277Zmore like thismore than 2021-06-15T15:24:35.277Z
answering member
4008
label Biography information for Dame Caroline Dinenage more like this
tabling member
4131
label Biography information for Jim Shannon more like this
1331292
registered interest false more like this
date less than 2021-06-09more like thismore than 2021-06-09
answering body
Department for Digital, Culture, Media and Sport more like this
answering dept id 10 more like this
answering dept short name Digital, Culture, Media and Sport more like this
answering dept sort name Digital, Culture, Media and Sport more like this
hansard heading Events Industry: Coronavirus more like this
house id 1 more like this
legislature
25259
pref label House of Commons more like this
question text To ask the Secretary of State for Digital, Culture, Media and Sport, what plans his Department has to support the recovery of the events and exhibition sector in (a) Coventry, (b) the West Midlands and (c) England from the impact of the covid-19 pandemic. more like this
tabling member constituency Coventry North East more like this
tabling member printed
Colleen Fletcher more like this
uin 13083 more like this
answer
answer
is ministerial correction false more like this
date of answer less than 2021-06-14more like thismore than 2021-06-14
answer text <p>Business events and exhibitions make a valuable contribution to the UK economy and the Government is committed to supporting the sector’s recovery.</p><p>Since 17 May, business events and exhibitions have been able to reopen subject to capacity caps which vary depending on whether the event is indoors or outdoors. The Government has also launched the Events Research Programme which is looking at how best to mitigate transmission risks across cultural, business and sporting event settings.</p><p>The Government has continued to support businesses and individuals working in the sector - including through the extension of various government-backed loans, grants and the extended furlough and self-employed support schemes.</p> more like this
answering member constituency Mid Worcestershire more like this
answering member printed Nigel Huddleston more like this
question first answered
less than 2021-06-14T17:03:32.977Zmore like thismore than 2021-06-14T17:03:32.977Z
answering member
4407
label Biography information for Nigel Huddleston more like this
tabling member
4378
label Biography information for Colleen Fletcher more like this
1331330
registered interest false more like this
date less than 2021-06-09more like thismore than 2021-06-09
answering body
Department for Digital, Culture, Media and Sport more like this
answering dept id 10 more like this
answering dept short name Digital, Culture, Media and Sport more like this
answering dept sort name Digital, Culture, Media and Sport more like this
hansard heading Music: Coronavirus more like this
house id 1 more like this
legislature
25259
pref label House of Commons more like this
question text To ask the Secretary of State for Digital, Culture, Media and Sport, whether his Department undertook an assessment of the public health benefits of non-professional singing prior to publishing the covid-19 guidance that allows six people to sing together indoors. more like this
tabling member constituency Hornsey and Wood Green more like this
tabling member printed
Catherine West more like this
uin 13156 more like this
answer
answer
is ministerial correction false more like this
date of answer less than 2021-06-14more like thismore than 2021-06-14
answer text <p>I know that the restrictions on singing are frustrating to large numbers of amateur choirs and performance groups across the country and that many people have made sacrifices in order to drive down infections and protect the NHS over the last year. I am aware that singing can have great benefits for both physical and mental health. I can assure you that everyone across the government wants to ease these restrictions as soon as possible.</p><p><strong> </strong></p><p>We will continue to keep guidance and restrictions under review, in line with the changing situation. Further detail on step 4 will be set out as soon as possible.</p><p> </p> more like this
answering member constituency Gosport more like this
answering member printed Caroline Dinenage more like this
question first answered
less than 2021-06-14T10:40:15.427Zmore like thismore than 2021-06-14T10:40:15.427Z
answering member
4008
label Biography information for Dame Caroline Dinenage more like this
tabling member
4523
label Biography information for Catherine West more like this
1331332
registered interest false more like this
date less than 2021-06-09more like thismore than 2021-06-09
answering body
Department for Digital, Culture, Media and Sport more like this
answering dept id 10 more like this
answering dept short name Digital, Culture, Media and Sport more like this
answering dept sort name Digital, Culture, Media and Sport more like this
hansard heading Deloitte: Arts more like this
house id 1 more like this
legislature
25259
pref label House of Commons more like this
question text To ask the Secretary of State for Digital, Culture, Media and Sport, whether the Government has commissioned Deloitte to produce guidance for the creative sector on visas and work permits for EU member states. more like this
tabling member constituency Hornsey and Wood Green more like this
tabling member printed
Catherine West more like this
uin 13158 more like this
answer
answer
is ministerial correction false more like this
date of answer less than 2021-06-14more like thismore than 2021-06-14
answer text <p>This government recognises the importance of the UK’s creative and cultural industries, not only to the economy and international reputation of the United Kingdom, but also to the wellbeing and enrichment of its people.</p><p><strong> </strong></p><p>The British people voted to take back control of our borders and end free movement with the EU in the 2016 referendum. That was a key part of the manifesto on which the Government won the 2019 election and is reflected in the agreement. It was inevitable therefore that there would be changes in the arrangements under which creative workers work in the EU.</p><p><strong> </strong></p><p>UK performers, artists, and musicians are of course still able to tour and perform in the EU, and vice versa. As the Secretary of State has said, we have moved at pace and with urgency and have provided much greater clarity about the current position. We are committed to supporting the sectors as they get to grips with the changes to systems and processes. This includes the development of sector specific ‘landing pages’ for GOV.UK, aimed at the creative sectors, which will allow cultural and creative professionals to easily locate and access guidance that is relevant to them. We are also engaging directly with Member States to ensure their guidance on their visa and work permit requirements is clear and accessible.</p><p><strong> </strong></p><p>Separately, the Department for Business, Energy and Industrial Strategy commissioned Deloitte to provide enhanced guidance on EU Member State immigration systems for GOV.UK to help businesses navigate the new business travel rules, following the end of the Transition Period. The guidance is deliberately sector-neutral, but it does capture any mention of sector-specific rules that feature on Member State websites. So far, 15 country guides have been published, representing more than three quarters of UK services exports to the EU, Norway and Switzerland by value. The remainder will follow in the coming weeks.</p><p> </p>
answering member constituency Gosport more like this
answering member printed Caroline Dinenage more like this
grouped question UIN 13160 more like this
question first answered
less than 2021-06-14T10:55:12.243Zmore like thismore than 2021-06-14T10:55:12.243Z
answering member
4008
label Biography information for Dame Caroline Dinenage more like this
tabling member
4523
label Biography information for Catherine West more like this
1331396
registered interest false more like this
date less than 2021-06-09more like thismore than 2021-06-09
answering body
Department for Digital, Culture, Media and Sport more like this
answering dept id 10 more like this
answering dept short name Digital, Culture, Media and Sport more like this
answering dept sort name Digital, Culture, Media and Sport more like this
hansard heading Deloitte: Arts more like this
house id 1 more like this
legislature
25259
pref label House of Commons more like this
question text To ask the Secretary of State for Digital, Culture, Media and Sport, whether the Government has commissioned Deloitte to produce guidance for the creative sector on visas and work permits for EU member states. more like this
tabling member constituency Hornsey and Wood Green more like this
tabling member printed
Catherine West more like this
uin 13160 more like this
answer
answer
is ministerial correction false more like this
date of answer less than 2021-06-14more like thismore than 2021-06-14
answer text <p>This government recognises the importance of the UK’s creative and cultural industries, not only to the economy and international reputation of the United Kingdom, but also to the wellbeing and enrichment of its people.</p><p><strong> </strong></p><p>The British people voted to take back control of our borders and end free movement with the EU in the 2016 referendum. That was a key part of the manifesto on which the Government won the 2019 election and is reflected in the agreement. It was inevitable therefore that there would be changes in the arrangements under which creative workers work in the EU.</p><p><strong> </strong></p><p>UK performers, artists, and musicians are of course still able to tour and perform in the EU, and vice versa. As the Secretary of State has said, we have moved at pace and with urgency and have provided much greater clarity about the current position. We are committed to supporting the sectors as they get to grips with the changes to systems and processes. This includes the development of sector specific ‘landing pages’ for GOV.UK, aimed at the creative sectors, which will allow cultural and creative professionals to easily locate and access guidance that is relevant to them. We are also engaging directly with Member States to ensure their guidance on their visa and work permit requirements is clear and accessible.</p><p><strong> </strong></p><p>Separately, the Department for Business, Energy and Industrial Strategy commissioned Deloitte to provide enhanced guidance on EU Member State immigration systems for GOV.UK to help businesses navigate the new business travel rules, following the end of the Transition Period. The guidance is deliberately sector-neutral, but it does capture any mention of sector-specific rules that feature on Member State websites. So far, 15 country guides have been published, representing more than three quarters of UK services exports to the EU, Norway and Switzerland by value. The remainder will follow in the coming weeks.</p><p> </p>
answering member constituency Gosport more like this
answering member printed Caroline Dinenage more like this
grouped question UIN 13158 more like this
question first answered
less than 2021-06-14T10:55:12.307Zmore like thismore than 2021-06-14T10:55:12.307Z
answering member
4008
label Biography information for Dame Caroline Dinenage more like this
tabling member
4523
label Biography information for Catherine West more like this
1331401
registered interest false more like this
date less than 2021-06-09more like thismore than 2021-06-09
answering body
Department for Digital, Culture, Media and Sport more like this
answering dept id 10 more like this
answering dept short name Digital, Culture, Media and Sport more like this
answering dept sort name Digital, Culture, Media and Sport more like this
hansard heading Choirs: Coronavirus more like this
house id 1 more like this
legislature
25259
pref label House of Commons more like this
question text To ask the Secretary of State for Digital, Culture, Media and Sport, for what reason the revised guidance on amateur choir-singing does not take into consideration the recommendations in the SO695 paper commissioned by Government that choir-singing can be made safer with restrictions including (a) practising in spaces with adequate ventilation and (b) 2m social distancing. more like this
tabling member constituency Sheffield Central more like this
tabling member printed
Paul Blomfield more like this
uin 13044 more like this
answer
answer
is ministerial correction false more like this
date of answer less than 2021-06-14more like thismore than 2021-06-14
answer text <p>I know that the restrictions on singing are frustrating to large numbers of amateur choirs and performance groups across the country and that many people have made sacrifices in order to drive down infections and protect the NHS over the last year. I can assure you that everyone across the government wants to ease these restrictions as soon as possible.</p><p> </p><p>However, it is important that we take a cautious approach in easing restrictions. We have followed the views of public health experts on singing. We are aware, through the <a href="https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/905062/S0628_NERVTAG_Assessment_of_transmission_of_COVID-19_through_musical_events.pdf" target="_blank">NERVTAG</a> and <a href="https://chemrxiv.org/articles/preprint/Comparing_the_Respirable_Aerosol_Concentrations_and_Particle_Size_Distributions_Generated_by_Singing_Speaking_and_Breathing/12789221" target="_blank">PERFORM studies</a> that singing can increase the risk of COVID-19 transmission through the spread of aerosol droplets. This was backed up by a <a href="https://www.gov.uk/government/publications/pheemg-aerosol-and-droplet-generation-from-singing-wind-instruments-and-performance-activities-13-august-2020" target="_blank">consensus statement from SAGE</a>, resulting in the <a href="https://www.gov.uk/government/publications/covid-19-suggested-principles-of-safer-singing/covid-19-suggested-principles-of-safer-singing" target="_blank">suggested principles of safer singing</a> being published.</p><p><br>We will continue to keep guidance and restrictions under review, in line with the changing situation. Further detail on step 4 will be set out as soon as possible.</p>
answering member constituency Gosport more like this
answering member printed Caroline Dinenage more like this
question first answered
less than 2021-06-14T09:14:23.953Zmore like thismore than 2021-06-14T09:14:23.953Z
answering member
4008
label Biography information for Dame Caroline Dinenage more like this
tabling member
4058
label Biography information for Paul Blomfield more like this
1331430
registered interest false more like this
date less than 2021-06-09more like thismore than 2021-06-09
answering body
Department for Digital, Culture, Media and Sport more like this
answering dept id 10 more like this
answering dept short name Digital, Culture, Media and Sport more like this
answering dept sort name Digital, Culture, Media and Sport more like this
hansard heading Young Audiences Content Fund: Regional Planning and Development more like this
house id 1 more like this
legislature
25259
pref label House of Commons more like this
question text To ask the Secretary of State for Digital, Culture, Media and Sport, what assessment his Department has made of the effectiveness of the Young Audience Content Fund pilot in contributing to the Government's levelling up agenda. more like this
tabling member constituency Sunderland Central more like this
tabling member printed
Julie Elliott more like this
uin 13057 more like this
answer
answer
is ministerial correction false more like this
date of answer less than 2021-06-14more like thismore than 2021-06-14
answer text <p><strong> </strong></p><p>The publicly funded Young Audiences Content Fund will be supported into its third year, ensuring young audiences have access to engaging and relevant content that reflects UK society and their own diverse experiences wherever they live in the country.</p><p><strong> </strong></p><p>The success of the Fund is evaluated against the criteria set out at launch, including: quality; innovation; additionality; nations and regions; diversity; new voices; plurality and audience reach. Assessments of the fund are ongoing, but the fund has already published its <a href="https://www2.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-young-audience-content-fund-year-1-evaluation.pdf" target="_blank">year one analysis</a>, and will be publishing its year two analysis later this year. Year one analysis is available <a href="https://www2.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-young-audience-content-fund-year-1-evaluation.pdf" target="_blank">here</a>.</p><p><strong> </strong></p><p>One of the primary aims of the Fund is to increase the provision of content which is reflective of the cultural identity across the UK nations and regions. Merit is therefore awarded to productions that are representative of the nations and regions, both on and off air. UK indigenous language content is also eligible for funding with a target aspiration of 5% of the awards distributed.</p><p><strong> </strong></p><p>As set out in the Year 1 analysis, 71% of projects awarded production funding in Year 1 were set in recognisable UK locations outside of London and the South East, in every home nation. Furthermore, the majority of production companies that were awarded support were based outside of London and the South East.</p><p><strong> </strong></p><p>The recent Year 3 funding award of £10.7 million is a continued commitment from the government to support the Young Audiences Content Fund and the production of UK originated children’s television programming in a challenging financial climate. Year three analysis will be published in due course.</p><p> </p>
answering member constituency Maldon more like this
answering member printed Mr John Whittingdale more like this
grouped question UIN 13058 more like this
question first answered
less than 2021-06-14T15:26:45.803Zmore like thismore than 2021-06-14T15:26:45.803Z
answering member
39
label Biography information for Sir John Whittingdale more like this
tabling member
4127
label Biography information for Julie Elliott more like this
1331433
registered interest false more like this
date less than 2021-06-09more like thismore than 2021-06-09
answering body
Department for Digital, Culture, Media and Sport more like this
answering dept id 10 more like this
answering dept short name Digital, Culture, Media and Sport more like this
answering dept sort name Digital, Culture, Media and Sport more like this
hansard heading Hate Crime: LGBT+ People more like this
house id 1 more like this
legislature
25259
pref label House of Commons more like this
question text To ask the Secretary of State for Digital, Culture, Media and Sport, what steps he is taking to tackle online (a) homophobia, (b) biphobia and (c) transphobia. more like this
tabling member constituency Brighton, Kemptown more like this
tabling member printed
Lloyd Russell-Moyle more like this
uin 13177 more like this
answer
answer
is ministerial correction false more like this
date of answer less than 2021-06-15more like thismore than 2021-06-15
answer text <p>The government is committed to tackling misogyny, homophobia, biphobia and transphobia, including the spread of such content online. On 12 May 2021, we published the draft Online Safety Bill, which sets out new expectations on companies to keep their users safe online. Under a new legal duty of care, in-scope companies, including social media, will need to tackle misogynistic, homophobic, biphobic and transphobic content and activity that is illegal, if it is on their services.</p><p>In addition, companies with the largest audiences and with high-risk features will need to assess the risk to adults of legal but harmful content on their services. They must also set clear terms and conditions stating what legal but harmful material they accept (and do not accept) on their service. Companies will have to do this for both priority harms which the government will set out in secondary legislation and for any emerging harms they identify in their risk assessments.</p><p>These duties will apply to misogynistic, homophobic, biphobic and transphobic hate speech, which do not meet the threshold of a criminal offence. Companies will need to enforce their terms and conditions consistently and transparently, and could face enforcement action if they do not. All companies in scope will be required to have effective and accessible user reporting and redress mechanisms.</p><p> </p>
answering member constituency Gosport more like this
answering member printed Caroline Dinenage more like this
grouped question UIN 13064 more like this
question first answered
less than 2021-06-15T15:24:35.323Zmore like thismore than 2021-06-15T15:24:35.323Z
answering member
4008
label Biography information for Dame Caroline Dinenage more like this
tabling member
4615
label Biography information for Lloyd Russell-Moyle more like this
1331437
registered interest false more like this
date less than 2021-06-09more like thismore than 2021-06-09
answering body
Department for Digital, Culture, Media and Sport more like this
answering dept id 10 more like this
answering dept short name Digital, Culture, Media and Sport more like this
answering dept sort name Digital, Culture, Media and Sport more like this
hansard heading Young Audiences Content Fund more like this
house id 1 more like this
legislature
25259
pref label House of Commons more like this
question text To ask the Secretary of State for Digital, Culture, Media and Sport, what plans he has to support the work of the Young Audience Content Fund. more like this
tabling member constituency Sunderland Central more like this
tabling member printed
Julie Elliott more like this
uin 13058 more like this
answer
answer
is ministerial correction false more like this
date of answer less than 2021-06-14more like thismore than 2021-06-14
answer text <p><strong> </strong></p><p>The publicly funded Young Audiences Content Fund will be supported into its third year, ensuring young audiences have access to engaging and relevant content that reflects UK society and their own diverse experiences wherever they live in the country.</p><p><strong> </strong></p><p>The success of the Fund is evaluated against the criteria set out at launch, including: quality; innovation; additionality; nations and regions; diversity; new voices; plurality and audience reach. Assessments of the fund are ongoing, but the fund has already published its <a href="https://www2.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-young-audience-content-fund-year-1-evaluation.pdf" target="_blank">year one analysis</a>, and will be publishing its year two analysis later this year. Year one analysis is available <a href="https://www2.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-young-audience-content-fund-year-1-evaluation.pdf" target="_blank">here</a>.</p><p><strong> </strong></p><p>One of the primary aims of the Fund is to increase the provision of content which is reflective of the cultural identity across the UK nations and regions. Merit is therefore awarded to productions that are representative of the nations and regions, both on and off air. UK indigenous language content is also eligible for funding with a target aspiration of 5% of the awards distributed.</p><p><strong> </strong></p><p>As set out in the Year 1 analysis, 71% of projects awarded production funding in Year 1 were set in recognisable UK locations outside of London and the South East, in every home nation. Furthermore, the majority of production companies that were awarded support were based outside of London and the South East.</p><p><strong> </strong></p><p>The recent Year 3 funding award of £10.7 million is a continued commitment from the government to support the Young Audiences Content Fund and the production of UK originated children’s television programming in a challenging financial climate. Year three analysis will be published in due course.</p><p> </p>
answering member constituency Maldon more like this
answering member printed Mr John Whittingdale more like this
grouped question UIN 13057 more like this
question first answered
less than 2021-06-14T15:26:45.85Zmore like thismore than 2021-06-14T15:26:45.85Z
answering member
39
label Biography information for Sir John Whittingdale more like this
tabling member
4127
label Biography information for Julie Elliott more like this
1331460
registered interest false more like this
date less than 2021-06-09more like thismore than 2021-06-09
answering body
Department for Digital, Culture, Media and Sport more like this
answering dept id 10 more like this
answering dept short name Digital, Culture, Media and Sport more like this
answering dept sort name Digital, Culture, Media and Sport more like this
hansard heading Digital Technology: Free Trade more like this
house id 1 more like this
legislature
25259
pref label House of Commons more like this
question text To ask the Secretary of State for Digital, Culture, Media and Sport, if he will make an assessment with the Secretary of State for International Trade of the potential merits of working with his counterparts in the (a) EU and (b) US Administration to create a digital free trading zone. more like this
tabling member constituency Preston more like this
tabling member printed
Sir Mark Hendrick more like this
uin 12948 more like this
answer
answer
is ministerial correction false more like this
date of answer less than 2021-06-15more like thismore than 2021-06-15
answer text <p>Digital trade is one of the government's top trade priorities. The ongoing World Trade Organization (WTO) negotiations on electronic commerce present an excellent opportunity to agree plurilateral rules on digital trade. The UK is an active participant and the government is fully committed to a successful outcome that liberalises digital trade across all those WTO members taking part, which includes the European Union and the United States.</p><p><strong> </strong></p><p>The UK’s digital ambition will also be driven through bilateral trade agreements. The UK-EU Trade and Cooperation Agreement includes some of the world's most liberalising provisions for digital trade. The government is also negotiating a modern, ambitious digital trade chapter with the US as a part of the UK-US FTA.</p><p> </p> more like this
answering member constituency Maldon more like this
answering member printed Mr John Whittingdale more like this
question first answered
less than 2021-06-15T15:25:35.113Zmore like thismore than 2021-06-15T15:25:35.113Z
answering member
39
label Biography information for Sir John Whittingdale more like this
tabling member
473
label Biography information for Sir Mark Hendrick more like this